home homenewsgallerymusicbiostorecontact


Weblog Archives
  • April 2010
  • February 2010
  • January 2010
  • December 2009
  • November 2009
  • October 2009
  • September 2009
  • August 2009
  • July 2009
  • June 2009
  • May 2009
  • April 2009
  • March 2009
  • February 2009
  • January 2009
  • December 2008
  • November 2008
  • October 2008
  • September 2008
  • August 2008
  • July 2008
  • June 2008
  • May 2008
  • April 2008
  • March 2008
  • February 2008
  • January 2008
  • December 2007
  • November 2007
  • July 2007
  • June 2007
  • May 2007
  • March 2007
  • January 2007
  • December 2006
  • November 2006
  • October 2006
  • September 2006
  • August 2006
  • July 2006
  • June 2006
  • May 2006
  • April 2006
  • March 2006
  • February 2006
  • January 2006
  • December 2005
  • November 2005
  • October 2005
  • September 2005
  • August 2005
  • July 2005
  • June 2005
  • May 2005
  • April 2005
  • March 2005
  • February 2005
  • January 2005
  • December 2004
  • November 2004
  • October 2004
  • September 2004
  • August 2004
  • July 2004
  • June 2004
  • May 2004
  • April 2004
  • March 2004
  • February 2004
  • January 2004
  • December 2003
  • November 2003
  • October 2003
  • September 2003
  • August 2003
  • July 2003
  • June 2003
  • May 2003
  • April 2003
  • March 2003
  • February 2003
  • January 2003
  • December 2002
  • November 2002
  • October 2002
  • September 2002
  • August 2002
  • July 2002
  • June 2002
  • May 2002
  • April 2002
  • March 2002
  • February 2002
  • January 2002
  • December 2001
  • November 2001
    
Friday, July 02, 2004

BACK TO BROADWAY

i remember reading an article about JOAN RIVERS many years ago in which she revealed that her daily grind on the comeback trail consisted of endless days of hard work at a bone-breaking pace. she said that by the time she would hit the bed at night, she barely had enough strength to pull back the covers. i’ve never forgotten that story, and over the years i’ve used it as the watermark to measure my own degree of willingness to hustle. ever since i hit the road to renewal a few weeks ago in BRAZIL, the days have been long and hard, and the nights few and short...but i have to tell you i wouldn’t change a goddamn thing. it’s so totally fulfilling.

i arrived in NYC last week, and it’s been nonstop go-go-go ever since. i’m calling it my grassroots campaign to win the support of “the childrens”. basically, i’m shaking hands and kissing babies. i performed at the FREEDOM PARTY during gay pride, did a shitload of radio press junkets, jockeyed the WKTU float for the gay pride parade, shot publicity photos with MIKE RUIZ in the middle of TIMES SQUARE (SAM FINE did my make-up, JASON HAYES did my hair) and had a gaggle of meetings to strategize my world domination. i know i’d be way more exhausted if i’d weren’t SOMERSIZING and working out.

last night, a bunch of friends gathered at a restaurant called 5/NINTH AVE to celebrate JOELLE’S birthday. we had a terrific time, but we were all in a bit of shock because the restaurant used to be the three story FEDERAL STYLE house that me, LADY BUNNY, LAHOMA and LARRY TEE lived in for many years. the memories kept swirling around in my head, because i was literally sitting in my old bedroom...over there was the spot that NELSON died of a heart attack, and right there was the place we found BLACKOUT dead after he could hardly bark or climb the stairs anymore, and this was the area where me and this trick i brought home...well, you get the picture.

the first night i slept in that house was 20 years ago when i brought the RuPAUL IS RED HOT REVUE to NYC,and the last night i slept in that house was august of 1991, so you can imagine the magnitude of flashbacks i was experiencing. i sat next to DAVID DALRYMPLE at the birthday gathering and he commented that i finally got my wish of a fully stocked bar in my bedroom, only this bar didn’t serve our old house brands ALEXI or POPOV. all and all, i walked away from the experience with gratitude for being alive and a huge appreciation for change.

more to come from THE BIG APPLE

.






.

|




2009 RuCo, Inc.—All Rights Reserved

    

Appearances